20th Nov, 2024 19:00
20th Century & Contemporary Art
7
Esther Mahlangu (South Africa 1935-)
Ndebele Patterns (Purple and central motifs)
acrylic on canvas
Artwork date: 2015
Signature details: signed and dated bottom left
R100,000 - R150,000
Buyers Premium
acrylic on canvas
Artwork date: 2015
Signature details: signed and dated bottom left
(1)
113.5 x 149 cm; framed size: 117 x 153.5 x 4.5 cm
Provenance:
Private collection, Cape Town.
Acquired directly from the artist.
COLLECTOR'S NOTE
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Most recently, in October 2024, Dr. Esther Mahlangu unveiled a 9 x 5 m mural titled Umuntu ngumuntu ngabantu (A person is a person through persons) at the Serpentine Gallery in London, her first public mural in the United Kingdom.
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In October this year she also presented a solo exhibition at the 1-54 Contemporary African Art Fair, and her works were featured at the BMW VIP Lounge during Frieze London.
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Esther Mahlangu: To Paint is in My Heart, published by Thames and Hudson, and featuring interviews with Mahlangu conducted by Hans Ulrich Obrist (Artistic Director of the Serpentine), Thomas Girst (Head of BMW Cultural Engagement), and Azu Nwagbogu (Respected international curator) was launched in 2024.
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Dr. Mahlangu currently features in Foreigners Everywhere, the main exhibition at the 60th International Art Exhibition at the Venice Biennale, running until 24 November 2024.
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In April 2024, Esther Mahlangu received a Lifetime Achievement Award at the inaugural South African Creative Arts Awards (SACA) for her exceptional 50-year contribution to contemporary art.
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A retrospective of her work titled Then I Knew I Was Good at Painting: Esther Mahlangu ran at Iziko South African National Gallery from 17 February to 11 August 2024. It will be shown at Wits Art Museum, Johannesburg, from November 2024.
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In December 2024, Dr. Mahlangu will showcase her works at SCOPE Miami with the Melrose Gallery.
COLLECTIONS:
The artist is represented in numerous local and international collections, notably, the Jean Pigozzi Collection, Paris; Smithsonian National Museum of African Art, Washington D.C; British Museum, London; Museum of Arts and Design, New York and the Standard Bank Gallery, Johannesburg.
The overall condition is excellent.
Please note, we are not qualified conservators and these reports give our opinion as to the general condition of the works. We advise that bidders view the lots in person to satisfy themselves with the condition of prospective purchases.
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