bronze

Artwork date: 2004, cast in 2010
Signature details: signed, dated,numbered 3/5 and stamped 'FUSO FONDERIA RENZO VIGNALI' on the base
Literature: Stein, P. (2004). 'Deborah Bell'. Johannesburg: David Krut Publishing, clay figure illustrated in colour on p.79.

(1)

221.5 x 39 x 33 cm including base

Provenance:

Private collection, Cape Town.

Goodman Gallery, Johannesburg.

Notes:

Sentinel III and Sentinel IX form part of Deborah Bell’s original Sentinel project where the artist carved and moulded 9 graceful, elongated figures from solid slabs of clay in 2003. Bell explains that the works “evolved from working with pillars of hard extruded clay that came out of the pugmill at a brick factory. Working with this clay on these columnar shapes suggested a new way of working. I began to carve, and carve again, a way of both revealing and creating, which was different to the slow circular building up through coiling that I had used in my earlier clay work. The material taught my hands what to do”[1]

While creating these works, the artist drew upon a multitude of historical visual references; Gothic imagery of saints, prophets and kings, ancient hermae and African veranda posts. Indeed, Bell’s Sentinels attest to her deep familiarity with African and other sculptural traditions, bringing to mind works of quite different conventions, from the statues of the kings of Judah that once adorned the medieval Cathedral of Notre-Dame (but are now at the Musée Cluny in France) to the monumental soapstone carvings of birds from the ruins of Great Zimbabwe.

With eyes closed, these sculptures radiate a calm stillness, like self-contained, sentient beings from another realm. The artist explains that in the process of working, they became guardians or sentinels but, in thinking of the works, further reflects that she likes “the idea of gods or angels who hold this world in place, and protect us, so that we can experience grand adventures.”[2]

In 2019, Everard Read London approached Deborah Bell about revisiting her 2003 Sentinels. All the editions of the original sculptures had been sold. This prompted Bell to explore the guardian figures again, in 2020 creating 8 Sentinels which the artist now views as quite different from the original works.

Sarah Sinisi

[1] Acclaimed South African Sculpture Deborah Bell Revisits Classic Works (2020). Available at: https://www.everard-read-capetown.co.za/news/75/ (Accessed: 26 October 2022).

[2] Stein, P. (2004). Deborah Bell. Johannesburg: David Krut Publishing. p.77.

Collections:

The artist is represented in numerous local and international collections, notably, Hara Museum, Tokyo.; Museum of Modern Art, New York.; National Gallery of Art, Washington D.C.; Iziko South African National Gallery, Cape Town and the Smithsonian Institute, Washington D.C.