gelatin silver print
Artwork date: 1975, printed 2004
Signature details: signed, dated 1975/04 and numbered 194/225 in pencil on the reverse
Sold for R45,520
Estimated at R50,000 - R70,000
Condition Report
The condition is pristine. Archivally framed, floated to the backing mount.
Please note, we are not qualified conservators and these reports give our opinion as to the general condition of the works. We advise that bidders view the lots in person to satisfy themselves with the condition of prospective purchases.
gelatin silver print
Artwork date: 1975, printed 2004
Signature details: signed, dated 1975/04 and numbered 194/225 in pencil on the reverse
(1)
sheet size: 25 x 20.5 cm
Notes:
Another example from the edition is included in the permanent collection of the Brooklyn Museum, New York. Cindy Sherman is one of the most influential contemporary artists of our time. In her decades-long investigation into the relationship between media, culture and personal identity, her work has become a tool for understanding the singular ability of photography to obliquely question the values of society. Among her earliest professional projects, Cindy Sherman's Untitled Film Stills (1977-80) offer an acute awareness of art historical and photographic traditions of self-portraiture, though her images of herself in altered identities are not art-historically considered to be strictly self-portraits but rather investigations of female-gendered stereotypes. Throughout that seminal body of images, Sherman masterfully transforms her own appearance, casting herself in the starring role of a range of traditionally and stereotypically 20th century female film noir tropes. This work predates Untitled Film Stills and is an earlier exploration of self-portraiture made when she was studying art at the State University College at Buffalo, New York (1972-6). Sherman references in this work the early 20th century French artist and thinker Claude Cahun, who is best known for her provocative gender-fluid photographic self-portraits. The resulting photograph alludes masterfully to Cahun's rich oeuvre, while forging a new path within the tradition of self-portraiture. Highlights of Sherman's exhibition history include solo shows at the Serpentine Gallery, London; Museum of Modern Art, New York ; Kunsthalle Basel and Jeu du Paume, Paris, among many others. ,
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Auction: Modern & Contemporary Art, 2nd Jun, 2019
Aspire Art Auctions presented a focused and insightfully compiled selection of top-quality modern and contemporary art in their latest sale in Johannesburg.
The company’s commitment to innovation led to a bold and signature move in this sale, which featured a special section dedicated to photography. The medium has been traditionally strong among South African artists but has been without a proper focus in the local auction market. The ground-breaking segment featured a wide range of the most important South African photographers, including Pieter Hugo, David Goldblatt, Guy Tillim, and Zanele Muholi. In addition, the sale starred a number of the market’s big signatures – Alexis Preller J.H. Pierneef, Gerard Sekoto, and Maggie Laubser and top contemporary artists including, Diane Victor, and Wim Botha.
Currency conversions are based on the exchange rate at the auction's start time and date. Bidders should verify the current exchange rate on the day of the sale. All invoices and payments must be made in South African Rands.
Logistics
While we endeavour to assist our Clients as much as possible, we require artwork(s) to be delivered and/or collected from our premises by the Client. In instances where a Client is unable to deliver or collect artwork(s), Aspire staff is available to assist in this process by outsourcing the services to one of our preferred Service Providers. The cost for this will be for the Client’s account, with an additional Handling Fee of 15% charged on top of the Service Provider’s invoice.
Aspire Art provides inter-company transfer services for its Clients between Johannesburg and Cape Town branches. These are based on the size of the artwork(s), and charged as follows:
Small (≤60x90x10 cm): R480
Medium (≤90x120x15 cm): R960
Large (≤120x150x20 cm): R1,440
Over-size: Special quote
Should artwork(s) be collected or delivered to/from Clients by Aspire Art directly, the following charges will apply:
Collection/delivery ≤20km: R400
Collection/delivery 20km>R800≤50km
Collection/delivery >50km: Special quote
Packaging
A flat fee of R100 will be added to the invoice for packaging of unframed works on paper.
International Collectors Shipping Package
For collectors based outside South Africa who purchase regularly from Aspire Art’s auctions in South Africa, it does not make sense to ship artworks individually or per auction and pay shipping every time you buy another work. Consequently, we have developed a special collectors’ shipping package to assist in reducing shipping costs and the constant demands of logistics arrangements.
For buyers from outside South Africa, we will keep the artworks you have purchased in storage during the year and then ship all the works you have acquired during the year together, so the shipping costs are reduced. At the end of the annual period, we will source various quotes to get you the best price, and ship all your artworks to your desired address at once.
Aspire Art will arrange suitable storage during, and cost-effective shipping at the end, of the annual period.
Collections
Collections are by appointment, with 24-hours’ notice
Clients are requested to contact the relevant office and inform Aspire Art of which artwork(s) they would like to collect, and allow a 24-hour window for Aspire Art’s logistics department to retrieve the artwork(s) and prepare them for collection.
Handling Fee
Aspire Art charges a 15% Handling Fee on all Logistics, Framing, Restoration and Conservation arranged by Aspire.