archival ink print on Photo Rag
Artwork date: 2006
Signature details: signed and editioned
Edition: number 2 from an edition of 5
Condition Report
The condition is mint.
Please note, we are not qualified conservators and these reports give our opinion as to the general condition of the works. We advise that bidders view the lots in person to satisfy themselves with the condition of prospective purchases.
archival ink print on Photo Rag
Artwork date: 2006
Signature details: signed and editioned
Edition: number 2 from an edition of 5
(1)
image size: 66 x 91 cm, framed size: 85 x 110 cm
Notes:
For thirty years Graeme Williams has worked on highly personal photographic essays. Photographic assignments have taken him to fifty countries and his photographs have been published in major publications, including National Geographic magazine, Time, Newsweek, and The New York Times Magazine. His work is housed in the permanent collections of the Smithsonian Institute, Washington; Duke University, Durham; North Carolina Museum of Art, Raleigh; St. Petersburg Museum of Fine Arts, Florida; and the University of South Africa, Pretoria. Williams’ work has been shown in solo exhibitions in New York, Paris, London, Cape Town and Johannesburg, and he has participated in many international group exhibitions, including the 2011 Figures and Fictions exhibition at the Victoria and Albert Museum, London. He was awarded the Contemporary African Photography (CAP) Prize as well as the Ernest Cole Award for the series, A City Refracted, in 2013. In 2014, his work was included in a major exhibition showcasing South African photography at Huis Marseille Museum for Photography in Amsterdam, and in the Aperture Summer Open exhibition in New York. Images from his series, As the Grass Grows, were included in the Louis Vuitton Foundation’s Being There exhibition in 2017. Lot 53 is from the series The Edge of Town. "My initial motivation for the project was to capture a segment of South African life as the country’s struggled to find a new post-apartheid identity. My own reactions to the changes happening around me were mixed and often jarring. Instead of trying to construct a narrative about life in the country as a whole, I concentrated on fragments of life at the literal and figurative edges of town. It is a stream of consciousness that attempts to draw in the elements of both change and lack of change within this paradoxical country.This essay, like a mosaic, is made up of fragments that I have collected as I moved within the spaces occupied by South Africa’s marginalised communities. These fragments build a picture of the challenges, changes, frustrations and joys experienced by people who are attempting to move from the shadows into the centre stage of South African life." The Edge of Town was published by Once-O" Publications (2007).
You can place an absentee bid through our website - please sign in to your account on our website to proceed.
In the My Account tab you can also enter telephone bids, or email bids@aspireart.net to log telephone/absentee bids.
Join us on the day of the auction to follow and bid in real-time.
The auction will be live-streamed with an audio-visual feed.
Auction: Aspire X PLP | African Photography Auction 2020, 5th Nov, 2020
A collection of pan-African works, straddling the terrain between historical and contemporary photography, were auctioned to support the digitisation of African photographic legacies by the Photography Legacy Project (PLP). Bidders participated from across Europe, the USA and UK, Asia, Australia and Africa – a testament to Aspire’s increasing global reach and collectors’ enthusiasm for African photography.
The auction included photographic luminaries such as David Goldblatt, Alf Kumalo, G.R. Naidoo, Ranjith Kally and Ian Berry, as well as more contemporary internationally acclaimed photographers like Guy Tillim, Jo Ractliffe, Syowia Kyambi and Mikhael Subotzky. The lead lot, a portfolio of 12 silver gelatin prints from the legendary photographer Ernest Cole’s seminal 1967 book House of Bondage sold for an astounding R569,000 – a new world auction record.
Currency conversions are based on the exchange rate at the auction's start time and date. Bidders should verify the current exchange rate on the day of the sale. All invoices and payments must be made in South African Rands.
Logistics
While we endeavour to assist our Clients as much as possible, we require artwork(s) to be delivered and/or collected from our premises by the Client. In instances where a Client is unable to deliver or collect artwork(s), Aspire staff is available to assist in this process by outsourcing the services to one of our preferred Service Providers. The cost for this will be for the Client’s account, with an additional Handling Fee of 15% charged on top of the Service Provider’s invoice.
Aspire Art provides inter-company transfer services for its Clients between Johannesburg and Cape Town branches. These are based on the size of the artwork(s), and charged as follows:
Small (≤60x90x10 cm): R480
Medium (≤90x120x15 cm): R960
Large (≤120x150x20 cm): R1,440
Over-size: Special quote
Should artwork(s) be collected or delivered to/from Clients by Aspire Art directly, the following charges will apply:
Collection/delivery ≤20km: R400
Collection/delivery 20km>R800≤50km
Collection/delivery >50km: Special quote
Packaging
A flat fee of R100 will be added to the invoice for packaging of unframed works on paper.
International Collectors Shipping Package
For collectors based outside South Africa who purchase regularly from Aspire Art’s auctions in South Africa, it does not make sense to ship artworks individually or per auction and pay shipping every time you buy another work. Consequently, we have developed a special collectors’ shipping package to assist in reducing shipping costs and the constant demands of logistics arrangements.
For buyers from outside South Africa, we will keep the artworks you have purchased in storage during the year and then ship all the works you have acquired during the year together, so the shipping costs are reduced. At the end of the annual period, we will source various quotes to get you the best price, and ship all your artworks to your desired address at once.
Aspire Art will arrange suitable storage during, and cost-effective shipping at the end, of the annual period.
Collections
Collections are by appointment, with 24-hours’ notice
Clients are requested to contact the relevant office and inform Aspire Art of which artwork(s) they would like to collect, and allow a 24-hour window for Aspire Art’s logistics department to retrieve the artwork(s) and prepare them for collection.
Handling Fee
Aspire Art charges a 15% Handling Fee on all Logistics, Framing, Restoration and Conservation arranged by Aspire.