28th Oct, 2018 8:30
Historic, Modern and Contemporary Art
32
Judith Gluckman (South Africa 1915-1961)
Self portrait
oil on canvas
Signature details: signed
Sold for R56,900
Estimated at R60,000 - R90,000
oil on canvas
Signature details: signed
(1)
91.5 x 65 cm
Notes:
Judith Gluckman was a prominent figure in Johannesburg and Pretoria art circles in the 1940s and 1950s, before her early death at the age of 46. Although she was primarily known as a close friend of Pretoria-born Alexis Preller, the prominent SA ‘modernist’ artist, with whom she studied in Paris in 1937 shortly after meeting him in South Africa, her own work was also highly regarded in her day. While never prolific, her circles of influence included some of the most important artistic groups and movements in 20th century South African art.
Her mentoring in the early years of her career included teaching the young Gerard Sekoto techniques in oil painting and providing him with materials. She was also involved in the New Group, the modernist collective which included artists such as Lippy Lipshitz, the well-regarded sculptor, who subsequently became one of her teachers. Preller himself also exhibited in early New Group shows. Gluckman moved to Cape Town in the 1940s, moving in Irma Stern’s social circle, but often travelled to Johannesburg to exhibit. She also returned to Europe in that decade, studying sculpture under Ossip Zadkine – the only female student the influential Russian ever took on. This quiet and dignified portrait of a woman has never been to auction before, and is thought to be a self-portrait. The woman it depicts has a noble bearing and a gravitas that, despite her ill health, Gluckman displayed in her life. It closely resembles the portrait Preller painted of her in 1937.
James Sey
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Auction: Historic, Modern and Contemporary Art, 28th Oct, 2018
Aspire Art Auctions brought a significant double-header of top lot leads to this sale.
Stellar results were achieved for internationally prominent William Kentridge and Alexis Preller, one of South Africa’s most respected and collectable modern artists. Collectors were attracted to Kentridge’s remarkable, Drawing from Stereoscope (Double page, Soho in two rooms) (1999), which sold for R6 600 400, while Preller’s Adam (1972), sold for a world record at R9 104 000. Modern offerings also included works by Peter Clarke, Kenneth Bakker, and Douglas Portway, while the contemporary segment included Moshekwa Langa, Penny Siopis, Simon Stone, Clive van den Berg, and Georgina Gratrix, amongst others.
HIGHLIGHTS
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