ink wash on paper
Artwork date: 1975
Signature details: signed and dated 4.4.1975
Sold for R170,520
Estimated at R150,000 - R200,000
ink wash on paper
Artwork date: 1975
Signature details: signed and dated 4.4.1975
(1)
49 x 67.5 cm
Notes:
Peter Clarke was a life-long commentator, surveying his world with a sardonic but tolerant eye. His closely observed figure studies capture every aspect of community life, from township gossips to bathers on the beach and children playing, or sometimes sombre reflections on the effects of poverty, although darker themes are found more in his writing than his artworks. His everyday scenes are usually slightly stylised, even caricatural, in approach, and often in pencil or ink, direct media suited to setting down ideas swiftly. But he also developed them in other media, such as linocut, or worked up the drawings with colour or tonal washes of ink, as in Lovers at Retreat Station.There is an erotic thread in Clarke’s work, but these lovers are a modest enough pair, she rather unreceptive to his advances. They are clearly young, and Clarke invites us to smile at their ‘with it’ appearance – she in a perky hat, tight-fitting mini dress and platform sandals, he with Afro hairstyle, sideburns and moustache. They have found a quiet railway bench to meet unobserved by the others on the platform. The graffiti on the walls includes a protesting clenched fist and anti-nuclear peace sign with a more apt ‘make love not war’ slogan. And there is an appropriate pierced heart above the couple, although it carries a cautionary comment on the foibles of love, typical of Clarke’s humour: ‘Karin Scott smaak Raymond but he like Berenice’.Retreat Station, one of the stops on the line from Simon’s Town to Cape Town, was familiar to Clarke, as the train was his transport to the city from the time he was a boy, whether to attend school, visit galleries, or see friends. But a railway station seems an odd place for a romantic tryst, perhaps suggesting a lack of anywhere else to meet, or that the couple will soon be parted.
Elizabeth Rankin
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Auction: Historic, Modern & Contemporary Art, 27th Mar, 2017
The Inaugural Cape Auction offed a diverse range of top-quality historic, modern and contemporary works. With a focus on critically engaged art and a curated approach, seasoned and new collectors competed to acquire significant works.
Aspire’s commitment to the growth of the art market saw international records broken in recognition of exiled South African artists. Louis Maqhubela’s Exiled King, a definitive, politically motivated work, sold for R341,040 - three times his previous record, and Albert Adams’ Untitled (Four Figures with Pitchforks), his first appearance at auction, sold for R136,416. Top prices were also achieved for established artists including J.H Pierneef, William Kentridge, and Edoardo Villa, and contemporary artwork fared exceptionally with record prices for David Brown, Steven Cohen, Mohau Modisakeng, Moshekwa Langa, and Mikhael Subotzky.
Viewing
Friday 24 March 2017 | 10 am – 7 pm
Saturday 25 March 2017 | 10 am – 5 pm
Sunday 26 March 2017 | 10 am – 4 pm
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Logistics
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Small (≤60x90x10 cm): R480
Medium (≤90x120x15 cm): R960
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For buyers from outside South Africa, we will keep the artworks you have purchased in storage during the year and then ship all the works you have acquired during the year together, so the shipping costs are reduced. At the end of the annual period, we will source various quotes to get you the best price, and ship all your artworks to your desired address at once.
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