bronze, wood and steel
Artwork date: 2005
Signature details: signed, dated and numbered 1/1
Sold for R136,416
Estimated at R90,000 - R120,000
bronze, wood and steel
Artwork date: 2005
Signature details: signed, dated and numbered 1/1
(1)
103 x 36 x 33 cm
Notes:
David Brown’s later work moved further away from the more explicitly South African political concerns and allegorical figures which characterised his work in the 80s and 90s. Certain elements remain constant – an absurdist sense of humour, a keen sense of the observation of human foible, and a mastery of technique – but this rare appearance on auction of a maquette for a completed commission, illustrates the distance Brown’s work travelled.The maquette dates to somewhat earlier – sometime in the early 90s - than the finished bronze, which was commissioned by a private collector in Belgium, and is installed on top of a World War 2 bunker there. The expansive gesture of the figure in the maquette remains, however, as does its precarious position on top of an elaborate structure. The political allegory of the figure is perhaps that of the hubris of this autocrat, doomed to fall from his perch – which Brown had just witnessed in the fall of apartheid. The maquette has more in common as a character with contemporary sculptures such as those in Dialogue at the Dogwatch (1995). The development of the figure from maquette to finished commission marks a shift in the place of the autocrat from a specific political instance in South Africa, to a generalised condition – perhaps that of the Western patriarchy, shot through with violence. The autocratic allegory and the satirical intent, however, are constant in both figures.The presence of the maquette on auction is therefore of historical as well as aesthetic interest, in terms of the artist’s own development and that of the political trajectory of the world in which he worked.
James Sey
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Auction: Historic, Modern & Contemporary Art, 27th Mar, 2017
The Inaugural Cape Auction offed a diverse range of top-quality historic, modern and contemporary works. With a focus on critically engaged art and a curated approach, seasoned and new collectors competed to acquire significant works.
Aspire’s commitment to the growth of the art market saw international records broken in recognition of exiled South African artists. Louis Maqhubela’s Exiled King, a definitive, politically motivated work, sold for R341,040 - three times his previous record, and Albert Adams’ Untitled (Four Figures with Pitchforks), his first appearance at auction, sold for R136,416. Top prices were also achieved for established artists including J.H Pierneef, William Kentridge, and Edoardo Villa, and contemporary artwork fared exceptionally with record prices for David Brown, Steven Cohen, Mohau Modisakeng, Moshekwa Langa, and Mikhael Subotzky.
Viewing
Friday 24 March 2017 | 10 am – 7 pm
Saturday 25 March 2017 | 10 am – 5 pm
Sunday 26 March 2017 | 10 am – 4 pm
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Logistics
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Small (≤60x90x10 cm): R480
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For buyers from outside South Africa, we will keep the artworks you have purchased in storage during the year and then ship all the works you have acquired during the year together, so the shipping costs are reduced. At the end of the annual period, we will source various quotes to get you the best price, and ship all your artworks to your desired address at once.
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