Ending 1st Nov, 2022 19:26
FULL BLOOM: Spring 22 Collection
113
Usha Seejarim (South Africa 1974-)
An Unconcealed Truth
wood pegs and wire
Artwork date: 2019
Exhibited: SMAC Gallery, Johannesburg, 'Transgressing Power', 8 June to 13 July 2019.
Literature: SMAC Gallery. (2019). 'Ushe Seerjarim: Transgressing Power'. Johannesburg: SMAC Gallery, illustrated in colour on p.29.
Location: Cape Town
wood pegs and wire
Artwork date: 2019
Exhibited: SMAC Gallery, Johannesburg, 'Transgressing Power', 8 June to 13 July 2019.
Literature: SMAC Gallery. (2019). 'Ushe Seerjarim: Transgressing Power'. Johannesburg: SMAC Gallery, illustrated in colour on p.29.
Location: Cape Town
(1)
84.5 x 82 x 16 cm
Provenance:
SMAC Gallery, Cape Town.
Notes:
Using collected objects, materials and images Usha Seerjarim explores themes surrounding journey and daily rituals in her art. Seerjarim has received several awards and accolades since being a finalist for the FNB Vita Art Award in 2002; most notably she was nominated for the Design Indaba’s Most Beautiful Object in South Africa award for her site-specific artwork, Sounds of Sibikwa in 2019 and she won the Tomorrow’s/ Today Prize at the 2018 Investec Cape Town Art Fair. She has held several solo exhibitions in South Africa since her first solo show titled Long Distance at the Generator Art space in Johannesburg in 1999. In 2019 she held her first international solo exhibition at the SCAC Marestaing, Montesquieu in France.
A portion of the proceeds from the sale of this lot will benefit art students on Feenix.org, an online fundraising platform that connects students and communities to fundraise towards achieving debt-free tertiary education.
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Auction: FULL BLOOM: Spring 22 Collection, ending 1st Nov, 2022
Collectors can browse new contemporary artists from Africa in New Frontiers (lots 1-72) or turn to old favourites in Traditional Classics (lots 73-102). They can explore, The Shape of Things in sculptural works (lots 103-119) and investigate abstract form in works True to Form (lots 104-137). Editioned works are highlighted in works Set in Print (lots 135-194) and photography features in Snapshots (195-200).
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