digital print on Hahnemühle etching paper
Artwork date: 2019
Signature details: signed and numbered 18/25 in red conté in the margin, additionally signed, dated and inscribed 'Right' in the print in red conté in the margin, additionally signed, dated and inscribed 'Right' in the print
Edition: 18 of 25
Exhibited: Norval Foundation, Cape Town, William Kentridge: Why Should I Hesitate, Sculpture, 24 August 2019 to 27 July 2020.
Literature: Nel, K. and Martin, O. (2019). William Kentridge: Why Should I Hesitate, Sculpture, Cape Town: Norval Foundation, illustrated in colour on pp 196 and 197.
Location: Cape Town
Sold for R234,500
Estimated at R200,000 - R300,000
digital print on Hahnemühle etching paper
Artwork date: 2019
Signature details: signed and numbered 18/25 in red conté in the margin, additionally signed, dated and inscribed 'Right' in the print in red conté in the margin, additionally signed, dated and inscribed 'Right' in the print
Edition: 18 of 25
Exhibited: Norval Foundation, Cape Town, William Kentridge: Why Should I Hesitate, Sculpture, 24 August 2019 to 27 July 2020.
Literature: Nel, K. and Martin, O. (2019). William Kentridge: Why Should I Hesitate, Sculpture, Cape Town: Norval Foundation, illustrated in colour on pp 196 and 197.
Location: Cape Town
(1)
image size: 102 x 146 cm;sheet size: 111,5 c 153 cm
Norval Foundation, Cape Town.
An interest in optics and the construct of seeing informs William Kentridge’s experiments with stereoscopic vision, of which Table with Sparrow forms a part. In order to achieve the illusion of stereoscopic vision, a drawing or construction is photographed twice, with the focal points about 7.5 centimetres apart – roughly the distance between the pupils of a person’s eyes. The use of the stereopticon—an optical viewer that creates the illusion of three-dimensionality when viewing two nearly identical images side by side—transforms these two images into a three-dimensional experience in the viewer’s perception, as they are translated into the complex neural patterns of the brain.
Table with Sparrow translates the set of small photographic images inserted into a stereopticon, as seen in Kentridge’s earlier Double Vision (2007), into two largescale drawings forming a diptych and was subsequently made into an editioned work by the artist.
The drawing Table with Sparrow (2019) was included in Norval Foundation’s Why Should I Hesitate: Sculpture, the first retrospective exhibition of William Kentridge’s sculptural practice. This work was donated by the artist to Norval Foundation to support their educational and artistic programming.
Bidding is not available through our website for this auction. Please contact us for further details.
Auction: Art, Life and Love: The Collection of Nwabisa Xayiya (Online Auction), 1st Nov, 2021
We are honoured to present Art, Life and Love: The Collection of Nwabisa Xayiya, a single owner auction showcasing the cultivated taste and style of Nwabisa Xayiya.
The full auction collection will be divided into two parts, giving bidders two separate opportunities to participate in the auction.
The remainder of the collection is included in this Online-only Auction opening on Wednesday 20 October and closing on Monday 1 November
Viewing
Lots will be on view at the Xayiya residence: 63 4th Street, Houghton, Johannesburg
Saturday 23 October to Saturday 30 October from 10 am to 6 pm
Currency conversions are based on the exchange rate at the auction's start time and date. Bidders should verify the current exchange rate on the day of the sale. All invoices and payments must be made in South African Rands.
Logistics
While we endeavour to assist our Clients as much as possible, we require artwork(s) to be delivered and/or collected from our premises by the Client. In instances where a Client is unable to deliver or collect artwork(s), Aspire staff is available to assist in this process by outsourcing the services to one of our preferred Service Providers. The cost for this will be for the Client’s account, with an additional Handling Fee of 15% charged on top of the Service Provider’s invoice.
Aspire Art provides inter-company transfer services for its Clients between Johannesburg and Cape Town branches. These are based on the size of the artwork(s), and charged as follows:
Small (≤60x90x10 cm): R480
Medium (≤90x120x15 cm): R960
Large (≤120x150x20 cm): R1,440
Over-size: Special quote
Should artwork(s) be collected or delivered to/from Clients by Aspire Art directly, the following charges will apply:
Collection/delivery ≤20km: R400
Collection/delivery 20km>R800≤50km
Collection/delivery >50km: Special quote
Packaging
A flat fee of R100 will be added to the invoice for packaging of unframed works on paper.
International Collectors Shipping Package
For collectors based outside South Africa who purchase regularly from Aspire Art’s auctions in South Africa, it does not make sense to ship artworks individually or per auction and pay shipping every time you buy another work. Consequently, we have developed a special collectors’ shipping package to assist in reducing shipping costs and the constant demands of logistics arrangements.
For buyers from outside South Africa, we will keep the artworks you have purchased in storage during the year and then ship all the works you have acquired during the year together, so the shipping costs are reduced. At the end of the annual period, we will source various quotes to get you the best price, and ship all your artworks to your desired address at once.
Aspire Art will arrange suitable storage during, and cost-effective shipping at the end, of the annual period.
Collections
Collections are by appointment, with 24-hours’ notice
Clients are requested to contact the relevant office and inform Aspire Art of which artwork(s) they would like to collect, and allow a 24-hour window for Aspire Art’s logistics department to retrieve the artwork(s) and prepare them for collection.
Handling Fee
Aspire Art charges a 15% Handling Fee on all Logistics, Framing, Restoration and Conservation arranged by Aspire.