31st Oct, 2016 20:00
Historic, Modern & Contemporary Art
98
David Goldblatt (South Africa 1930-2018)
Johannesburg from the Southwest
archival pigment ink on 100% cotton rag paper
Artwork date: 2003
Signature details: signed, dated '12 July 2003' and numbered 2/6 in pencil in the margin
Exhibited: cf. Iziko South African National Gallery, Cape Town, 1910-2010 From Pierneef to Gugulective, 2010.
Literature: Vladislavic, I. (2010). David Goldblatt: Johannesburg Photographs 1948-2010. Cape Town: Random House Struik, another example from the edition illustrated in colour on p.266. Printed by Tony Meintjes.
Sold for R159,152
Estimated at R80,000 - R120,000
archival pigment ink on 100% cotton rag paper
Artwork date: 2003
Signature details: signed, dated '12 July 2003' and numbered 2/6 in pencil in the margin
Exhibited: cf. Iziko South African National Gallery, Cape Town, 1910-2010 From Pierneef to Gugulective, 2010.
Literature: Vladislavic, I. (2010). David Goldblatt: Johannesburg Photographs 1948-2010. Cape Town: Random House Struik, another example from the edition illustrated in colour on p.266. Printed by Tony Meintjes.
(1)
print size: 98.5 x 123 cm
Notes:
Taken together, these two photographs by one of the doyens of South African documentary fine art photography serve as an important indicator of Goldblatt’s sensibilities, and the framing of his work, over the last phase of his long and distinguished career.
In particular what has preoccupied his landscape work is the question of what constitutes a place in the South African landscape. That is, what could make the spaces he photographs into places that belong to people, and who belong in them – that provide a sense of home, or homeliness?
The 2003 view of Johannesburg from the Southwest provides a starkly dramatic examination of the alienation and division that has always characterised the city, a view which Goldblatt has pictured in different ways over his career. The shanties in the foreground, habitations pitched up against the massive pylons of the power grid, are separated by a huge wall of land from the skyscrapers of the old city – a wall of land put there by the hollowing out of the city’s mineral resources in the era of high mining capital.
The second photograph on auction is at the opposite end of the landscape spectrum, a Karoo ‘terra nullius’ occupied only by a rudimentary cairn which may mark a grave site, in the ‘Moordenaar’s Karoo’. Goldblatt’s subtlety in raising the issues of occupation of such land, and its depiction as brutal, empty of humanity and agency, is accomplished with the gravitas and elegiac beauty which marks his work.
James Sey
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Auction: Historic, Modern & Contemporary Art, 31st Oct, 2016
The line-up for our inaugural sale included an extraordinary selection of art. Works ranged from JH Pierneef’s breathtaking Karoo near Hofmeyer, painted in 1930, to Dan Halter’s 2006, ultraviolet light, Pefection.
Sculptures varied from Edoardo Villa’s acknowledgment of French artist, Aristide Maillol to Wim Botha’s heads that draw on classical and contemporary sources and Ed Young’s cheeky nude self-portrait. Also included were impressive photographs by award-winners, David Goldblatt and Pieter Hugo.
The auction set an impressive standard, with an outstanding sell-through rate of over 75% across 121 lots. The top lot of the sale was Alexis Preller’s exceptional Profile Figures (Mirrored Image), selling for over R7-million. Record sales were achieved for Villa, Goldblatt, and Hugo, amongst others.
Viewing
Friday 28 October 2016 | 10 am – 5 pm
Saturday 28 October 2016 | 10 am – 5 pm
Sunday 28 October 2016 | 10 am – 4 pm
HIGHLIGHTS
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