5th Nov, 2020 19:00
Aspire X PLP | African Photography Auction 2020
7
Ashley Walters (South Africa 1983-)
Railway Street
archival pigment ink on cotton paper
Artwork date: 2019
Signature details: accompanied by a certificate of authenticity signed by the artist.
Edition: number 1 from an edition of 5 + 2AP
archival pigment ink on cotton paper
Artwork date: 2019
Signature details: accompanied by a certificate of authenticity signed by the artist.
Edition: number 1 from an edition of 5 + 2AP
(1)
image size: 39 x 59 cm, framed size: 58.5 x 85 cm
Notes:
Ashley Walters’ works protagonise a subjective and critical approach to the behaviours and processes of urban life in the city and its periphery. His work tells of an interest in the everyday and public space in its least predictable dimension. Wavering between absolute complicity with his subjects and distant observation, his body of work emphasises a non-spectacular representation of reality. Whereas some images provide tableaus of intimate, inhabited spaces, others render nonterritories that bespeak of up-rootedness, scarring, anxiety and liminality. Walters completed his Master’s degree in Fine Art (2013) at the Michaelis School of Fine Art, University of Cape Town, where he was the recipient of a number of prestigious awards and scholarships, including the Michealis Prize (2011) and Tierney Fellowship Award (2013). Subsequent to this, he completed an exchange at Hochschule für Bildende Künste in Braunschweig (2013). He was awarded an Apexart Fellowship in New York (2015) and an artist residency in Amersfoort, Netherlands (2017/18). Commissioned by the Magnum Foundation, his work has been featured widely in publications such as Laying Foundations for Change (2014), Rogue Urbanism: Emergent African Cities (2013), and Aperture Magazine: Platform Africa (2017).Walters has taken part in numerous international exhibitions in Bamako, London, Germany, New York, Beijing, the Netherlands, and South Korea, and exhibited his works widely within South Africa. Railway Street was shown as part of Walters’ solo exhibition White City at GUS, Stellenbosch (2019). The exhibition takes a departure from his interest in domesticity to explore notions of inherent violence through experimenting with form and colour. White City is the name given by the community in south side Elsies River, Cape Town. In this exhibition, White City refers to both a physical space and a historical landscape. This work was also shown at Latitudes Art Fair, Nelson Mandela Square, Johannesburg (2019).
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Auction: Aspire X PLP | African Photography Auction 2020, 5th Nov, 2020
A collection of pan-African works, straddling the terrain between historical and contemporary photography, were auctioned to support the digitisation of African photographic legacies by the Photography Legacy Project (PLP). Bidders participated from across Europe, the USA and UK, Asia, Australia and Africa – a testament to Aspire’s increasing global reach and collectors’ enthusiasm for African photography.
The auction included photographic luminaries such as David Goldblatt, Alf Kumalo, G.R. Naidoo, Ranjith Kally and Ian Berry, as well as more contemporary internationally acclaimed photographers like Guy Tillim, Jo Ractliffe, Syowia Kyambi and Mikhael Subotzky. The lead lot, a portfolio of 12 silver gelatin prints from the legendary photographer Ernest Cole’s seminal 1967 book House of Bondage sold for an astounding R569,000 – a new world auction record.
HIGHLIGHTS
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